Articles and Reviews

Guitars & Equipment	Guitar Technique	General Articles
Which Taylor Guitar is right for you? By Jules Fitzgerald Buying Your First Guitar by Paul Adams Care and Feeding of Your Acoustic Guitar by Martin Guitar Co Contact Tuner Review by Paul Kucharski Elixir Phosphor-Bronze Nanoweb Review by Dave Elmer Resonators Explained by Paul Kucharski The Archtop Jazz Guitar by Fernando Alonso Jaén The Question of Handcrafted Versus Mass-Produced Instruments by Gerald Sheppard The Search for the Holy Grail by George Gruhn Amplification strategies for the performing acoustic musician. by Harvey Reid Compression: Essential Audio Tool or Deadly Sin? by Harvey Reid Humidity and Your Guitar by Jean Larrivee Guitar Tuning Article by Steve Mason Tale Of Two Guitars by Steven Stone Zen And The Art Of Acoustic Guitar Amplification by Paul Abbott Coated Strings Review by Stephen T. Boyke Steel Strings for Different Styles by George Gruhn	Princess Royal - Arranging Celtic Music in Orkney Tuning by Anton Emory Shortnin' Bread by Vincent Sadovsky The Power of Creative Limitation by Paul Adams Failure, a Case for Its Impossibility by Paul Adams The Right Hand by Logan Gabriel Using Scales To Improve Your Music by Muriel Anderson Harmonics In Combination by Muriel Anderson Solo Fingerstyle Guitar Improvisation Parts 1, 2 & 3 by Gilbert Isbin Slide Guitar, Techniques & Tips by Rick Payne Improvising Solo by Dan Lambert The Secret Of Speed by Jamey Andreas How To Practice Chord Changes by Jamey Andreas Your Hand Is The Band: The Importance Of Fingering by Jamey Andreas On Memorizing by Jamey Andreas	American Fingerstyle Guitar by John Schroeter The Guitar Place by Will Schmid Of Guitars And Righteous Men by Janis Ian The Internet Debacle - An Alternative View by Janis Ian FALLOUT- a follow up of the Internet Debacle Article by Janis Ian Playing Open Mic Venues by Alan Horvath Going It Alone by Michael Johnson Sales Tables by Joel Mabus Trends In Guitar Teaching by Leon Block Royalties by Joel Mabus Celtic Melodies vs Guitar Melodies by Jim Earp 2000 Fingerpicking & 2000 Blues Book Reviews by Paul Kucharski Guitar TAB Editor Software Review by Paul Kucharski
	Fingerstyle Guitar Playerss
	What's new in Fingerstyle Guitar Music Tommy Emmanuel Interview by Adam St. James Memories of John Fahey by Lisa Rumel Cretsinger Jim Earp Interview by Steve Elliott Muriel Anderson Interview by Paul Kucharski Mike Dowling Interview by Paul Kucharski Evolution Of A Fingerstyle Player by Dan Lambert All About John Fahey by Ben Ratliff
Live Sound Equipment Reviews	Recording Equipment Reviews	Recording Equipment Reviewss
Bose L1 Model 1 Review Bose PAS Model II Bose PAS Review by Cameron Milzh Fishman Loudbox Mini Review by Jon Chappell Fishman SoloAmp Review by Dan Day Korg Tuners Reviewed Mackie PPM1008 Powered Mixer Review by Jim Gault Mackie 402-VLZ & 802-VLZ Review by Darius Van Rhuehl Mackie 1604-VLZ-3 Mixer Review by Doug Thompson Sennheiser ew 100 G3 Review by Jon Chappell Sennheiser 300IEM Review by D.J. Adams Ultrasound Amp Review by Dan Semple Yamaha STAGEPAS 500 Review by Josh Winningham Yamaha STAGEPAS 300 Review by Ted Gennerro Yamaha EMX Series Mixer Review by Stacy Winsor	AKG Mic Review by E.A. Tennaway Alesis MultiMix Firewire Mixer Review by Oscar Sommers ART Tube MP Project Series Review by Sarah McEwan Boss BR-1200CD Digital Recording Studios Review by Mark Dunaway Boss Micro BR Review by Tom Foster Computer Recording (4 part series)	Fostex PM0.5 Powered Monitor Review by E.A Tennaway Fostex MR-8HD Hard Disk Digital Recorder by Naren Singh Fostex MR-8 Digital Recorder Review by Reg Hamilton Korg MR1 & MR-1000 Mobile Recorder Review by Darius Van Rheuhl Korg D-888 Digital Recorder Review by Ron Stillman Mackie MR5 & MR8 Review by Jim Gault Shure KSM Microphone Review by Brian Chapman Tascam Survey Review of Digital Portastudios by Hank Young Tascam DP-03 Portastudio Product Spotlight by Jeff Laity Tascam DP-004 Pocketstudio Product Spotlight by Jeff Laity