Frequently Asked Questions
About Acoustic Guitar

 

How do I Choose a Good Acoustic Guitar?

Very complete answers to this question can be found at "The Guitar Advisor".  Here's also a good answer from Harmony Central. But here's one perspective from Tom Gannaway, Editor of Fingerstyle Guitar Magazine.

"We've all probably had the experience of sitting around with a group of guitar pickin friends, passing an ax around, and marveling at what different sounds emanate, depending on whose hands it is in.  This is no earth shattering revelation, but it continually amazes me how a particular player's approach is an extension of his or her personality.  A soft-spoken, timid person might have a light, sensitive touch, while an aggressive, outgoing person might exhibit more volume and flair in their playing-pops, string snaps, bends, etc.  Our technique and approach can evolve over time (hopefully it will improve!), but the fact remains that what comes out of our guitars when in in our hands is a basic expression of our personality.   This being the case, you'll want to use an instrument that suits you and that you enjoy playing.  Ask yourself, "Do I like the way this feels?"  You may prefer to play small-bodied instruments, such as a twelve-fret, or you may prefer a larger guitar, such as a Dreadnought.  Another fair question is, "Is this instrument a good fit for my touch?"  On some guitars, the sound may break up a bit when played aggressivelly, making them a good candidate for those with a lighter approach.   Indeed, with some instruments, the lighter you  play them, the better they seem to sound.  Undergirding these questions, of course, is the necessity of playing with a guitar that is playable, and possesses good intonation."

Tom Gannaway,
from "Chasing The Rainbow",
March/April '98 issue of
"Fingerstyle Guitar"

 

How do I assess the action on a Good Acoustic Guitar?

Here's the advice of Tom Gannaway, Editor of Fingerstyle Guitar Magazine.

"Action that is either too low or too high can cause problems:  excessively low action can create fret rattling, necessitating quiet playing, while excessively high action makes for uncomfortable and laborious playing.  A good rule of thumb is: for classical guitar medium action, the bottom of the high E string should be 8/64" from the top of the fret wire at the 12th fret; for steel-string low-medium action, suited for fingerstyle players, the bottom of the high E string should be 5/64" from the top of the fret wire at the 12th fret."

Tom Gannaway,
from "Chasing The Rainbow",
March/April '98 issue of
"
Fingerstyle Guitar"