Failure is a Monster in the lore of human kind. It’s the grand "ogre" that can bring about frustration and eat at the soul. Another thing failure is: AN OPEN GATE, and a new horizon. There is no such thing as failure.
We’re dropped on this planet with our own particular passion and fire. For some it rages and pushes us on towards heights unimaginable. We are driven to accomplish , to seek, to explore, and to somehow “birth” that mighty fire that burns within our hallowed walls. Freud, Jimi Hendrix, Miles Davis, Renoir, Van Gogh, John Coletrane, Debussy, etc. Each on their rocket ship being propelled by the ego, and the firing of nerve synapses through the human experience at the speed of sound, accomplishment, and the thirst for applause and achievement.
Hitting the wall and making mistakes provides us with invaluable lessons. Playing a guitar, driving a tractor, planting seed, painting a picture, etc. blooms best from error. Failing is a great teacher. It’s Gods force of nature molding us like clay. BUT, this is a little different. Clay is the perfect deciple or student. Clay has no part in making the DECISION to become what it will be. It completely surrenders to the artist who molds it into form and reality. Man, on the other hand, has choice. Failure offers to mold us. It is a co-op between Man, God, and destiny. An artist, craftsman, or worker, can use life experience (Failure) as an interplay toward growth and learning. Get up, and have at it AGAIN!. Those who have had a completely smooth ride may not have had the opportunity to test themselves. Those who do not choose to bend and flex with failure, are missing the opportunity to paint w/ nature and circumstance. They are saying “no” when God asks them to dance and adjust. They are denying an opportunity to seek out a different perspective. They are saying no when God asks them to learn from mistakes and become better at what they do. We are too busy reacting - we are not listening.
There are problems associated with failure to be sure. Perhaps the first mistake is the inability to see failure as a lesson. Instead we see it as defeat. We see it as natures way of telling us, we are NEVER going to be good enough. Defeat can also trigger laziness. After all, if I didn’t get it the first few times, why bother? I’ll NEVER be able to get it - AND here is the kicker - “I ONLY WANT TO DO THIS (Play guitar, paint a picture, etc), IF I AM GUARANTEED TO GET A RESULT”.
Well, there are no guarantees, your technique will surpass Bela Fleck,
Eddie Van Halen , or Izaak Perlman. There are no guarantees that you
will sell a million albums. Hell, there are no guarantees you will
sell a CD to anyone other than your family and friends. Here is where
you can challenge yourself to the “purity of action.” That is, that
you do what you do out of love. Love is free. Many years ago The
Beatles sang “you can’t buy me love”... and it's true. Love simply is.
Love is a gift. Love is being, and doing. It is becoming a part
of the process of your life in action. If good musicianship were
defined by the amount of pleasure or love you derive from the process, I
know a lot of very poor players that are better musicians than highly
skilled professionals. Their honesty and love of creation may speak
more loudly than virtuosic flair.
Perhaps our most noble goal is do the best we can, and use failure as a teacher. Failure must fill our sails toward a destination, not render them impotent, windless, and unable to reach our shore. Perhaps the more noble goal is honesty and humility - to accept your abilities (Also called "limitations"), and do the best you can with them. AND, maybe those so called “limitations” help you to make a decision that makes your work or art, unique and fresh. You may not be the fastest guitar player in the world, but that doesn’t negate your right to speak. Creating a connection to an audience, or fellow man, doesn’t have to rely technical virtuosity. It relies on an honest level of communicating between the creator, and listener. It depends on the intension and connection of your heart, soul, and passion. Your work may not have sold a million and reached the masses. BUT, you used failure to grow beyond your limitation. You used limitation to paint your picture in a completely unique way. You used your limits to speak with a voice unique and honest to the creative intent of your work. You have used limitation to offer the listener a vision and point of perspective they may not have experienced before. You have grown and succeeded within your intent. You have created for LOVE, not MONEY. And to answer the age old philosophical question, “if a tree falls to the ground deep in the forest, and nobody is there to hear it, does it make a sound”
There are those for whom things go smoothly and it’s completely right. It’s easy to be a bit envious and resentful of them for not having paid their dues, but this only tends to guide us off coarse. Their life is their life, ours is ours. We have the opportunity to develop the strength to “get back up again” after a fall. We have the opportunity to listen to that crazy “whim” of nature that directs us toward a more intuitive relationship with creation. We have the ability to become better at what we do.
Paul Adams is a multi-faceted, multi-talented individual. His main focus is on his music, but he's also been a Luthier, Ethnomusicologist, and works in the mental health field. He also write stories and poetry. Adams enrolled as a student of Ethnomusicology under Dr. Joel Maring at Southern Illinois University where he became interested in building ethnic and exotic musical instruments. Having received commissions from folks like Daryl Hall, members of Stevie Wonder, The Pointer Sisters, and others was a rich reward in itself but, "making music was really my first love." It was during this period that he began composing commercials for such companies as The Siemans Corporation, Subaru, Motorola, Caterpillar, John Deer, Bryant Air Conditioning, Nordica Ski Boots, Chrysler and others.
Next came his critically acclaimed debut album Various Waves. Various' marriage of Jazz, New Age, World Music, Folk, and other Ethnic traditions struck the right chord with many fans and critics alike!! It was placed in the TOP FIVE of new releases for 1990 by Musical Starstreams, the largest commercially syndicated instrumental radio show in America.
The need to stretch and combine the influences of Gamalon, Indian, African, and other world musics he studied in school resulted in Wonder Dancing On Global Bop, - a fusion of elements that also include Flamenco, Jazz, and a touch of Bluegrass. "John Deliberto from the syndicated radio show ECHO's was an integral part in it's success," says Adams. "His constant air play and very kind review in Tower Records PULSE Magazine helped a great deal!"
Next came the acoustic landscape A View From The Plain. "This CD is my ode to the Prairie, as well as a nod to folks like Aaron Copeland, John Fahey, Leo Kottke, and David Grissman. I wanted to offer a thematic album that utilized the drop thumb style of guitar that was so influential to me. I also wanted it to be sweet and gentle, with an element of energy and humor."